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Richard Wagner (1813 – 1883): Der Ring des Nibelungen / Das Rheingold
Festival scénique en un prologue et trois journées
/Stage festival play with a preliminary evening and three days
sur un livret de Richard Wagner/ on a libretto by Richard Wagner
créé le 22 Septembre 1869 au Königliches Hoftheater de Munich
/ premiered on 22nd September 1869 at the Munich Königliches Hoftheater
enregistré in 1976 dans le cadre du centenaire du Festivalde Bayreuth
/ recorded in 1976 as part of the Bayreuth Festival centenaryFestival de Bayreuth
mise en scène / staging: Patrice Chéreau
Pierre Boulez, direction musicale / conductor
décors / sets: Richard Peduzzi
costumes / costumes: Jacques Schmidt
lumières / lights: Manfred Voss
Donald McIntyre, Wotan
Martin Egel, Donner
Siegfried Jerusalem, Froh
Heinz Zednik, Loge
Hermann Becht, Alberich
Helmut Pampuch, Mime
Matti Salminen, Fasolt
Fritz Hübner, Fafner
Hanna Schwarz, Fricka
Carmen Reppel, Freia
Ortrun Wenkel, Erda
Norma Sharp, Woglinde
Ilse Gramatzki, Wellgunde
Marga Schiml, Floßhilde
Bayreuth Festival Choir
Norbert Balatsch, director
Bayreuth Festival Orchestra
réalisation TV / TV director: Brian Large
Restauration complète à partir des masters originauxdans les studios d’Altea Media avec utilisation parcimonieuse de l’Intelligence Artificielle sous la direction artistique de Michel Swierczewski.
/ Complete film restoration from the original masters in Altea Media studios with careful use of Artificial Intelligence under Michel Swierczewski’s artistic direction.
SYNOPSIS
Scene 1: At the bottom of the Rhine
The Nibelung dwarf Alberich watches the three Rhinemaidens playing in the Rhine and tries unsuccessfully to seduce them. As sunlight reveals the gold they guard, they foolishly tell him its secret: whoever forges a ring from it will gain the power to rule the world, provided he renounces love. Humiliated and enraged, Alberich curses love, seizes the gold and disappears, leaving the Rhinemaidens in despair.
Scene 2: On the mountain tops
Wotan admires Valhalla, the new castle built for the gods by the giants Fasolt and Fafner. In payment, however, he has promised them Freia, goddess of youth. Wotan never intended to honour the bargain, but Fasolt reminds him that the agreement is engraved on his spear and that breaking it would undermine his authority.
Loge, god of fire, arrives with news of Alberich’s theft of the Rhinegold and the all-powerful ring he has forged from it. The giants agree to accept Alberich’s treasure instead of Freia, but take her hostage until the ransom is paid. Without Freia and her golden apples, the gods rapidly begin to age. Wotan and Loge descend to Nibelheim to seize Alberich’s gold.
Scene 3: Nibelheim
Through the power of the ring, Alberich has enslaved the Nibelungs. His brother Mime has also forged the Tarnhelm, a magic helmet allowing its wearer to become invisible or assume any shape.
Wotan and Loge trick Alberich into demonstrating its powers. After transforming himself into a dragon, Alberich boasts that he can become something tiny. He turns into a toad and is immediately captured.
Scene 4: On the mountain tops
To buy his freedom, Alberich is forced to surrender his treasure, the Tarnhelm and finally the ring. Before leaving, he places a terrible curse upon it: whoever possesses it will be consumed by greed, fear and death.
The giants return with Freia and demand enough gold to hide her completely from sight. Wotan reluctantly gives up the Tarnhelm but refuses to surrender the ring. Erda, goddess of the Earth, suddenly appears and warns him that the ring will bring destruction and that the gods themselves are doomed. Alarmed, Wotan gives it up.
The curse immediately takes effect: Fafner kills Fasolt during a quarrel over the treasure. Freia is released and the gods regain their youth.
Donner summons a storm and a rainbow bridge appears, leading to Valhalla. The gods solemnly enter their new home, while Loge remains sceptical of their future. From the depths of the Rhine, the Rhinemaidens lament their stolen gold and condemn the faithlessness of the gods.
2 Comments
Thanks for releasing this video. I have DVD's with the performances of Siegfried and Götterdämmerung, belonging to this Ring Cycle production conducted by Boulez. Hope you will release Die Walküre as well.
Que maravilha terem restaurado a versão Boulez?Cheroux; espero que restaurem toddo este RING; Zeidnik o maior e melhor Loge.