I only have 1 advice that was to put the bike drive side, but you’ve already nailed that so let your imagination fly.
The monkey photo is dope
jmauur on
good lighting is the most important part, followed by knowing how to work with your gear at hand and then your gear itself ig
Remington_Underwood on
–Fill the frame with the bicycle (or the particular detail you’re highlighting).
–Use a tripod and the lowest ISO your camera can do.
–Use the depth-of-field preview (or chimp) to make sure that everything you want the viewer to see clearly is in sharp focus and the background is in soft focus.
–Use the in-camera histogram to make sure you’re not clipping highlights or blocking shadows.
–Avoid complicated, distracting backgrounds and pick backgrounds that compliment the colours of the bike.
5 Comments
[https://www.youtube.com/watch?v=TSudbGQTWX0](https://www.youtube.com/watch?v=TSudbGQTWX0) solid advice in there. hide the pedals, go low, from the non-drive side
I only have 1 advice that was to put the bike drive side, but you’ve already nailed that so let your imagination fly.
The monkey photo is dope
good lighting is the most important part, followed by knowing how to work with your gear at hand and then your gear itself ig
–Fill the frame with the bicycle (or the particular detail you’re highlighting).
–Use a tripod and the lowest ISO your camera can do.
–Use the depth-of-field preview (or chimp) to make sure that everything you want the viewer to see clearly is in sharp focus and the background is in soft focus.
–Use the in-camera histogram to make sure you’re not clipping highlights or blocking shadows.
–Avoid complicated, distracting backgrounds and pick backgrounds that compliment the colours of the bike.
Damn didn’t think these bikes were real