What ACTUALLY happened at Paris Fashion Week Fall Winter 2024 including the new Hermès Birkin bags hitting the runway, the new Chloé and Alexander McQueen fashion show debuts, Vetements’ teddy bears and Paris prepping for the Olympic Games this Summer. In this extra-long industry leading fashion coverage, we’re taking you to see the retrofuturist clothes of Courrèges, whose creative director just got hired for a job designing a Jean Paul Gaultier Couture collection. Comme des Garçons is angrier than usual with the most explosive show of Rei Kawakubo that we’ve ever seen. Sacai is better than ever with dresses and boots this season, Rick Owens continues to crush it, and in a channel first, our first ever show with Yohji Yamamoto. Other channel firsts this season includes coverage of Coperni’s air bag developed by NASA and Victoria Beckham’s experimental wardrobe. I am thrilled, however, to introduce you to Geoffrey B. Small today, arguably the best fashion designer of all time. Other interviews this season include Peter Do on his work at Helmut Lang, Bianca Saunders, and Henri Alexander Levi of Enfants Riches Déprimés. In luxury brands, we take you to see the east-west leather quota handbags at Hermès and the dozens of cashmere treatments at Akris. Givenchy is still looking for a creative director but presented a stunning studio collection that was far from streetwear. Junya Watanabe, Noir Kei Ninomiya, Thom Browne, Mame Kurogouchi, Uma Wang, Casablanca and so so much more! It’s not Milan Fashion Week, it’s not New York Fashion Week, this is THE Paris Fashion Week Autumn Winter 2024 RTW rundown.

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0:00 Intro
0:31 Rick Owens Fall 2024
6:07 Hermès Fall 2024
13:32 Yohji Yamamoto Fall 2024
18:14 Akris Fall 2024
26:35 sacai Fall 2024
31:18 Helmut Lang Fall 2024 – Peter Do Interview
34:54 courrèges Fall 2024
38:44 Comme Des Garçons Fall 2024
43:35 Mame Kurogouchi Fall 2024
46:46 Enfants Riches Déprimés Fall 2024 – Henri Alexander Levy Sit-down Interview
55:57 Issey Miyake Fall 2024
1:02:19 Junya Watanabe Fall 2024
1:07:05 zomer Fall 2024
1:12:03 UNDERCOVER Fall 2024
1:17:14 Geoffrey B. Small Fall 2024
1:23:13 Coperni Fall 2024
1:23:46 Vaquera Fall 2024
1:24:15 Anrealage Fall 2024
1:24:42 Duran Lantink Fall 2024
1:25:07 Victoria Beckham Fall 2024
1:25:41 Ann Demeulemeester Fall 2024
1:26:12 Casablanca Fall 2024
1:26:59 Alexandra Golovanoff Fall 2024
1:27:22 noir kei ninomiya Fall 2024
1:31:25 Givenchy Fall 2024
1:34:50 Uma Wang Fall 2024
1:37:45 Thom Browne Fall 2024
1:40:22 Ruohan Fall 2024
1:44:30 Ester Manas Fall 2024
1:45:52 ArdAzAei Fall 2024
1:49:20 Bianca Saunders Fall 2024 – Sit-down Interview
1:53:10 Indépendantes de Coeur Fall 2024
1:56:04 Marie Adam-Leenardt Fall 2024

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39 Comments

  1. We love what we do, but we can’t do it alone. Join the mfing patreon so you can watch hours of exclusive videos. Link in description💫💫

  2. Bliss and Daniella, thank you thank you!! I appreciate so much all that you do, and I love your questions, input,educational and comedic commentary.
    Amazing invaluable content!!
    I will be joining Patreon as soon as it's financially feasible. So grateful and elated to find your channel!!

  3. I loved this! It took me about a week to watch. There were so many ideas and images to process in each segment that I couldn't watch it all at once!

  4. Yohji's work and the concept of Ma is also elusive in the world of fashion to me. However, coming from the world of architecture not so much. When you're designing architecture, you're not designing a building/public space/furniture/interior etc, you are "containing" space. It's an abstract concept taught to us very early in our design journey. Interestingly, cubism was also something that we learned quickly after.

  5. my favorite fashion houses from Paris Fashion Week are RICK OWENS, LACOSTE, LOUIS VUITTON, AGNES B., MIU MIU, COPERNI, PIERRE CARDIN, ROKH, SACAI, MARINE SERRE, ZIMMERMAN, LUTZ HUELLE, EMANUEL UNGARO, STELLA MCCARTNEY, ENFANTS RICHES DÉPRIMÉS, OTTOLINGER, BALENCIAGA, ALEXANDER MCQUEEN, ANN DEMEULEMEESTER, COMME DES GARÇON, HERMÈS, VIVIENNE WESTWOOD, NOIR KEI NINOMIYA, CARVEN, JUNYA WATANABE, VICTORIA BECKHAM, VETEMENTS, NINA RICCI, YOHJI YAMAMOTO, GIAMBATTISTA VALLI, ISSEY MIYAKE, LEONARD, LOEWE, ISABEL MARANT, SCHIAPARELLI, RABANNE, GIVENCHY, CHLOÉ, GAUCHERE, OFF-WHITE, BALMAIN, ACNE STUDIOS, MERYLL ROGGE, CASABLANCA, CECILIE BAHNSEN, DRIES VAN NOTEN, THE ROW, UNDERCOVER, ROCHAS, COURREGES, ESTER MANAS, MOSSI, ANREALAGE, GERMANIER, CHRISTIAN DIOR, MAME KUROGOUCHI, WEINSANTO, NICCOLÒ PASQUALETTI, PETER DO, MARIE ADAM-LEENAERDT, GMBH, RHUDE, KARTIK RESEARCH, NAMESAKE, WOOYOUNGMI, WINNIE & HELMUT LANG

  6. 1:03:21 A piece of paper/fabric is actually 3D.
    “A sheet of paper may seem to be two-dimensional, but because it does have a measurable (if tiny) depth, it's actually three-dimensional.”
    “Because your paper is flat, everything you draw on it is two-dimensional.”

    Every piece of clothing is 3D.

    You look at 3D piece from different angles and each gives different view.
    On the other hand, you view 2D from 1 angle.
    So a bump is 3D that’s

  7. I'm in the mame kurogouchi part right now and just as you said it's the ceramics theme I'm thinking mmmh, this reminds me of Hermès ceramics, and just the second later you point out the Martin Margiela Hermès reference. Coincidence? I don't think so! 😄 46:02

  8. I'm in the mame kurogouchi part right now and just as you said it's the ceramics theme I'm thinking mmmh, this reminds me of Hermès ceramics, and just the second later you point out the Martin Margiela Hermès reference. Coincidence? I don't think so! 😄 46:02

  9. those Hermes clothes!!!! This might just be me, and if it's Too Far then Oops and Mea Culpa, but another aspect of that collection, certainly by incorporating the studs but also through certain other elements, is its SUPER understated incorporation of kink and spcl lesbian kink? Like idk: maybe I'm reading too much into it/seeing what I want to see, or maybe it's an association that's simply unavoidable with leather and leather-adjacent references like equestrian sports and cycling, but it's amazing to me that they managed to make these little elements which scream kink to me so sedated and refined and yet still apparent! This is straight-up Fashion-Alchemy 😀 😀 😀

  10. that sacai/Abe collection… Dresses and coats: Two Gr8 Tastes that taste Gr8 TOGETHER 😀 😀 Also, the way she plays around with zettai ryoiki in this, completely subsuming the skirt in the coat and the stockings in the boot, is Cheeky+Masterful+Thought-Provoking! I also loved the, Idk if there's a word for it, "swishy" elements to the coats? Like how the hems on some of the looks bounce and flap around. And how the fit of the boots wasn't skin-tight: that's an interesting choice that, for me at least, brought to mind more practical types of boots like rainboots or wading-boots.

  11. I make my clothes… slow fashion is my motto and I wish we lived in a world where we could wear all sorts of weird clothes and get done with trends. I absolutely hate trends and waste. I am a fabric addict, so much so that I go to fabric stores just to touch fabrics. But I don't appreciate the high fashion waste either… the exclusivity, the snub of it… and logos… oh my… I hate logos. I went to fashion school to learn the rules so I could break them all. I believe clothes are not self expression if you don't make them yourself or if you don't commission someone to bring your vision to life. Any clothes you buy are a vision and expression of someone else that you happen to agree with. And most people we are trends that don't align with anything but with the desire to make money on the part of who creates and the desire to show off and feel part of something on the part of the consumer. I really wish that going to a semesters with your own sketch would comeback. I am 57, and I grew up having my sketches made into my clothes by a semestres, by my mom, or an auntie, latter, around 9yo I started making my own with the help of my mom. I would love to make stuff for other people, make them feel what is like to wear their own vision, and if they love logos, I would use their own logo that they would create, their own monogram, their own family moto, their own soul. We would not have fast fashion if. People understand that clothes, not fashion, clothes is art is you allow it to come from yourself. So, I am frustrated, mad, and disappointed with anything to do with luxury or fast fashion. I will just keep making my own clothes very toned down to not call attention because society have a very strict idea on how a mum after her 50s should and should not wear. I know I shouldn't care, but I like to be invisible, but if everyone would just dress for their own satisfaction, I am sure I would just blend in.
    Oh my…. bla bla bla bla…. anyways, all that just to say I love your channel and I will make sure to binge and look in your subscription program for more content. This first video is simply amazing (first for me) thank you for putting so much into a free content.

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