Video recorded of shenanigans in Forst Lausitz, 2023.
That’s Daniel Fishkin and his baby Lou on the postage stamp.
The Lausitz is a land in germany marked by coal mines, rivers, and ruins. It is a land of nice country living, despite its sinking water table. The boys and I camped and inhabited a tiny apartment in Forst. Later we got a gartenhaus so look out for the sequel: gartenhaus.
Has a score by Csound, available at my public git repository:
https://github.com/pblasser/clawyer
From the orchestra:
;prepared for , and
;syntheszers create simple tones, and
;we should talk about how you use them with this abstract model.
;see what we can do with the simplest materials
;sarcastic envelope
;the youtube video is a personal document
;mostly for my kids and their grandparents to remember
;as a field recording it is also an environmental document
;we show fish and forestry, and bike paths through the country
;field recording mastering techniques are
;framing, and highlighting.
;or cologne and concrete, respectively
;framing can use a quiet sine wave to establish an auditioning perspective,
;such as a listener with tinnitus.
;highlighting can involve grabbing certain frequencies from the recording,
;such as:
;a handheld chainsaw, and a vacuum cleaner, represented by squares
;a baby speaking and quiet jazz during an evening bike ride- triangles
;a truck passing, accelerationn and doppler, triangle
;a local train arriving and departing, played by bending sine.
;and slow car on bridge, sine.
;the vehicles are subject to doppler, decelleration, and acceleration,
;so the basic oscillator features a2b frequency control.
;with moving frequencies, like wolves howling, perk listeners ears
;while held frequencies (a2a) have a sublime divine effect of true music.
;sine, triangle, and square are the three function tables we have
;our oscillator can select one of the three.
;see anthony braxton, tricentric musics.

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