Driving Ostfildern to Stuttgart TV Tower – 🇩🇪 Germany 🇩🇪

Ostfildern is a town in the district of Esslingen in Baden-Württemberg in southern Germany. It is located approximately 8 km southeast of Stuttgart. It was formed in 1975 out of a fusion of the previously separate boroughs of Nellingen, Ruit, Kemnat and Scharnhausen and currently has approximately 37,000 inhabitants.

Fernsehturm Stuttgart is a 216.61 m telecommunications tower in Stuttgart, Germany. It was the first telecommunications tower in the world constructed from reinforced concrete, and it is the prototype for many such towers worldwide.

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MORE DRIVING TOURS 🏎️ 🛵 🚗 https://youtube.com/playlist?list=PLuweQU6jL0WeZcJz8yiI4oLpab1EqY3KR
MORE CYCLING TOURS 🚴‍♂️🚴‍♀️ https://youtube.com/playlist?list=PLuweQU6jL0Wdpx1lkUuk34VPUYoyuV060
MORE WALKING TOURS 🚶🚶‍♀️https://youtube.com/playlist?list=PLuweQU6jL0WfxkbDAQU63sJBVephsad1q​

Continue on neasa for one kilometer better rout round right and then next next night fly to this place or that place just goes places and around riding always working on new bits yeah always turning over material no you got to do it now do you still listen to sets

Do you record sets yeah I record all of them yeah yeah I I owe myself a few listens though I’ve been slacking off especially the bottom of the barrel listens those are the ones you really got to listen to yeah that’s a really fun show I’m like it makes me

Uncomfortable which is why it’s fun to do you like if the people don’t know I guess you the audience writes down and you just pull them out yeah you have a barrel and the audience writes down suggestions for for topics and then you just reach in the barrel pull it out and

Start riffing yeah it’s fun it’s fun it was super fun yeah that’s not um I don’t in 300 M at the roundabout take the third exit onto Bon Her fish trer do a lot of that so it was fun to get in that spot and um yeah that was

That was great that room rules the smaller room yeah that’s an honest little room they were uh they were up last night super intimate it’s a super intimate room yeah it was great they were uh they were it felt like a 1:00 a.m. spot last night the Late Show

No it was the early one up on the ear show they were jacked up yeah it was one of those ones where like you say something and then they kind of break into conversation a little bit and like are you all right what are you guys and they’re like oh no

We’re good like they’re I’m in the way um but they were great and it was really fun getting stuff out of them cuz a room that small if people are kind of chatting or chuckling you can deal with them more it’s like when you’re in a massive room and somebody’s yelling or

Talking from the back you can’t really deal with it yeah if you’re in a theater and that’s happening it’s a real problem exactly but in a comedy club you can just pause and go what are we doing yeah yeah like a real dialogue with them um

But you don’t want to that’s the thing it’s like we’ve got to train people to just not talk out loud just like you don’t do in the movie theater don’t do it at a com comedy club and don’t talk to the comedians either don’t just talk

At them well do you do you think I mean what do you think about all these crowdwork clips don’t you think we’re breeding this I feel it’s a very bad situation it’s not a bad situation cuz it’s just how they do it some people do it that way but it makes the audience

Want more of that I was talking my niece has just went to college and she has a roommate who’s like 18 years old she’s like essentially a high school and she know she was like what do you think of crowd work and I’m like it’s so crazy

That like teenage kids are like oh crowd work like well because those are the clips you could put online because it doesn’t burn your material right because it’s an unique moment right but sometimes I feel like this comic’s going up there just trying to get those moments defitely are annoying and then

The audience thinks like oh I’ll be part of this well there’s Comics that’ll trick tricky too you go see their actual act you know the thing about crowd work is it’s always funnier when you’re there course but it’s always funnier because everyone knows it’s happening live and

You don’t know what’s going to happen neither as a comedian they know it’s completely improvised well that’s why it works so because obviously comedy’s about getting everybody to be like oh yeah and if they’re seeing it live it’s it just happens good point so but toala

Used to always say that you know I worked with Nick for years and he’d be like oh funny off the cuff yeah that’s called a being funny that’s easy write some material you yeah if if you can do both that’s great right but some people only do one

Or the other right yeah but there gets yeah there’s in 400 m and the roundabout take the third exit onto Kirk Heimer stra there’s tricks to it you definitely don’t want to encourage people to interrupt people who don’t do c crowd work though and that’s where it becomes

A problem when people are drunk and they think oh want to get on a video right you know it that kind of does happen now how do you feel about MC’s in New York which is the only city that does this where the MC goes up and just

Asks everybody where they’re from and does almost exclusively crowd work they never did that in Boston when I was St in 300 M turn right onto pling a strass they didn’t do it here in Austin really why do they do that in New York I don’t

Know it’s a New York like New York Comics they think that’s what the MC does I think part of it is to find out where everyone’s from because there’s so many tourists but most MC’s in New York just do a lot of crowd work and I’ve

Heard people even be like I don’t like hosting cuz I’m not I don’t do crowd work and I’m like well you don’t have to just go does anybody not do crowd work does anybody just go up and say hey head Northwest on kirim AR Str towards pling AR Str

Continue every budy how you doing we tell you about my day I don’t think so really when I I hosted this years ago when Arty fuka got in the accident they needed host at the seller so I volunteered and I hosted for like six

Weeks and I feel like I was the only one that just went straight into material which I think is better because I find the audience if they’re you know when they’re they’re settling in and ordering and getting their drinks and whatever figureing out who’s sitting where if you

Look up and the comic is talking to somebody they’re going okay it hasn’t really started yet he’s talking to that lady but if you look up in the middle of a bit you’re like sh quiet the show started that’s how I always felt yeah um it the problem with someone

Talking to the audience is it does kind of encourage the audience to talk to some of the future comedians if they have a point that the person disagrees with or if they’re getting to a point and you cut them off because you could say something you you know sometimes

Like guys will mislead you with a bit and you’re like what is he saying oh hahaa but some people jump in in the middle of it right and it up exactly and they think they can because someone’s been talking to them in the audience exactly yes and they’re like oh

This is a dialogue I got it perfect exactly or it gives them an opportunity to be outraged and now this is kind of encouraged to give feedback it’s encouraged to talk right I also think that the audience needs to hear the Rhythm of a few jokes but to me it’s

Like if you do crowd work for 5 minutes and then do 10 minutes of jokes but sometimes you have an MC where you’re like I am if you’re going first you’re like I’m now the first one telling a joke which is no good I think the

Audience needs to hear like oh okay some bits yeah I think that definitely would set everybody else up for the rest of the night and that’s really what the MC should be doing but some I remember tell would get annoyed because atel always wants to know where everyone’s from so

He would ask me like where where are they from and I was like I don’t know and you could see that he was like what like and there’s nothing worse than upsetting of That’s So New York that’s so New York that’s so weird I know the New York has this one thing where

Everybody goes and asks the audience member where they’re from it’s very strange and they’re like what you seen a comic one time in 200 M at the roundabout continue straight to stay on starter St it made me laugh so hard the audience made me laugh so hard cuz the person was

Like what are you what are you doing and they were like I’m at a show what do you mean what am I doing they’re like I’m on a date I don’t get it I just never to me it’s like we’re supposed to be doing a

Show I don’t get why I don’t I don’t care what the audience is from or what they’re doing I always felt like that style came out of the fact that the comedy clubs in New York when I was coming up they were all very intimate they were very small like Boston comedy

Was very small catcher rising star was small um the seller are small and because you’re like right on top of people and they’re packed in there’s not that many of them I felt like it’s more intimate the stage is smaller and I think it f out it’s sort of LED

Comedians to want to kind of like personalize everything yeah yeah which I feel in the small room at your Club what’s it called little boy little boy yeah like I do instinctively start being like you you ever had you ever had this cuz it does feel like you’re at a hang

Yeah you’re hanging right which is really nice like if you’re doing material because just like you you you’re you you’re real intimate in that room that Mo you’re you on top of those people yeah I feel like you could shoot a special in there or maybe someone

Already had I think somebody shot one in the big room uh David Lucas just shot a special in that little room yeah yeah that’s it’s a killer right Brian did he shoot something to your he shot something in the big room Brian Simpson blew me away last night oh he’s

Hilarious by the way I always knew he was funny but I like it’s so rare you get to sit and watch Comedy and I sat in the balcony watching I was like this guy’s like next level the balcony’s the isn’t it it’s unbelievable when we were when we first were were walking

Around the building when it was its Bare Bones and we’re standing up there in the balcony one of the first things we were thinking like you know how badass it’s going to be to be just sitting up here chilling and like continue on Kirk Heimer Str for 4

Kilom Chappelle Go on stage and so when it actually happened when we were there the week it open and Dave came by and we’re watching him I’m standing on the balcony I’m like dude I looked at Tony hitchc and I go this is like exactly what we imagined it was the exact thing

That we imagined that’s an unbelievable feeling I don’t want to sound gay but we’re very lucky people that we’ve lived a life where it’s like I imagined this and then didn’t happen it’s oh yeah super super lucky but also like that’s a good thing like when I was thinking

About doing it I didn’t want to do it I’m like this is too much work I don’t want to be involved in this I always told comedians be really nice to club Owners cuz we need them and you don’t want to beat them right we need them we need someone to

Own the club we need a place to go we need who would want to deal with some of the The Maniacs that we knew yeah this is it oh wow that’s the little boy no that’s the big room that’s that’s balcony yeah wow that’s killer yeah so that’s before the concrete had been

Poured it’s you know those guys are standing on foam so there’s a foundation under that and then they put these massive blocks of dense foam and then on top of the foam then they lay more of that rebar and then pour concrete it’s crazy what they did because it was basically set up

Like a movie theater like teered you know like Stadium tile seating and we lifted the floor up and made it flat so how did it work did you like I I feel like I’m interviewing you now but I mean how did you just explain the vision to

Uh I have an amazing architect uh Richard’s an amazing architect one one of the things about Richard is he’s also a musician he’s an artist he’s like he has an eye for things he sees things and he totally got the concept of it and so when we we had looked at another

Building I told you about the place that was owned by a cult so we had that place and then that one fell apart and then when that fell apart it was really hard to find another spot and this place wasn’t for sale it was all they only

Wanted to lease it and I was like I’m not going to do that like I I need to be able to own it it doesn’t make any sense like so fortunately they changed their mind and they sold it to me and when they sold and one of the things they liked

Was that you know six Street a lot they’re making a lot of like apartment buildings and highrises and they loved the fact I was just going to keep it a live entertainment venue yeah and cuz it’s 1927 theater you know Stevie Ray vongh played there in the 80s yeah I saw

All the post killer B now did were you drawing sketches or were you just saying this is Richard did everything but Richard wise um we we went over it we had a structure right because there was a Almo Draft House had been there before and we also

Had we had a big advantage in that Richard had redesigned the Almo Draft House so he was the one who was in charge of that project so he knew the whole bones of the building cuz they converted it from like I think it was a rock and roll Club previous to that and

Then they turned it into the Almo Draft House and so they had to build a kitchen they had to build these rooms they had to you know set it up from the movies and do everything so he knew exactly where everything was and so we had two

Rooms in one building which I really like because I wanted a smaller more intimate room and a bigger room and so when we saw it we just had to address like okay how do we do this and we we had a bunch of different ways of looking

At it we always agreed that the projection room would be the Green Room like that makes the most sense it’s in the center of the two rooms and it gives you the option of just literally walking there and seeing one room or going this way to the balcony and seeing the other

Room yeah so that was like that was a no-brainer and then we blew the walls out so it connects to the balcony and we set everything up and moved all the equipment out we had old projectors in there and and then we built everything out and then in the process

Of building everything out uh I had Lou come and look at it and Louie had some amazing advice he gave me some great advice about shrinking the size of the stage in the little room lowering the ceiling even further little room was like a low ceiling he like can you get

It lower yeah I’m like yeah I think we can get it lower like may like a foot or two lower you know so we did that and then in the main room the same thing you said lower the ceiling and so the ceiling drops so you have you know the

Balcony you can see how the ceiling drops when you look out the balcony so you just see like the top of the stage right I thought it’ be a great idea I mean it would cost billions of dollars to have a comedy club that you could

Move the walls in depending on the crowd size m you know how like there’s like a curtain but you wish you could just physically move the wall to tighten it up because obviously comedy just works tighter yeah I mean that’s not it’s an impossibility this is my

Fantasy I maybe it’s not an impossibility I don’t think it’s an impossibility he did just have to have walls that were on tracks and you’d have the tracks built into some sort of an some sort of an engine that moved them back and forth but it’ probably be

Stupid it would take up way too much room you know how are they powered are they diesel generator or the electric no Manpower Everyone Gets behind the audience oh Jesus PES the wall in yeah it would have to be that because if it it was some sort of a computer would

Malfunction and kill everyone it would just compress the entire audience like Star Wars yeah exactly like Star Wars imagine if you have a soldout show and someone hits the 100 seat button ah people just stacked up on top of each other in the middle of the room

That’s a great episode for uh like one of those what do you call it what’s that show but Black Mirror or I was thinking of Twilight sound but yeah same same same that’s what I was wondering though if you could just you just explain to

The architect what I what it looks like cuz this blew my mind a while ago I was watching like some Springsteen behind the album thing I don’t know if it was the river or Darkness or whatever but I never knew there’s a scene where Bruce is talking to Clarence Clemens and it’s

Just like it should sound like this and he’s just do like mouthing the sound of the saxophone which in my mind it’s like Bruce is writing musical notes or something you don’t picture a guy just being like it should sound like this and then the guy does it it kind of

Was like wow you know it blew me away but there’s a lot of musicians who don’t read music no I think like most and it’s funny I took mandolin not most but many rock musicians in 300 M turn left onto Yan mandolin lessons years ago and it

Was fun and I thought I be able to read music cuz I’d always hear like any veter can’t read music and and it turns out it’s not that hard they just didn’t feel like learning it like in my mind I was like these Geniuses can’t turn left onto

Yaner and then the lady was like no you can they just didn’t want to learn how to read music it’s just it looks like a weird alien language when you see all the musical notes and everything like to me they register as nothing of course I I like I’ve seen people with

Musical continue on y